Metallica - The Anti-War, Anti-State, Pro-Liberty Metal Band?

 I know that a title such as the one above is patently self-evident and possibly redundant, but has Metallica recently made a subtle statement on their pro-liberty views of the current state of the world? It seems they have done just that in their choice of songs to include in their set lists at the recent Bridge School Benefit in late October, an event at which Metallica played two consecutive nights. In a surprising move, they opened each night by playing four cover songs which they had never before performed. The choices of songs that they felt important enough to play, though, gives an indication of what they may be thinking of the war, the state, and life in general in these United States of America at the present time.

 

Metallica have been writing songs with anti-war messages for over two decades now. An obvious example, which they played at the Bridge School Benefit, is "Disposable Heroes," from their Master of Puppets album released in 1986. With lyrics such as "Bodies fill the fields I see, hungry heroes end / No one to play soldier now, no one to pretend," and "Bred to kill, not to care / Do just as we say / Finished here, greeting death / He's yours to take away," the emphasis is clearly on the disconnect that soldiers have in killing people they do not know for reasons given to them from people who care more about winning than any moral or personal considerations. Similar thoughts are echoed in songs such as "One" about the plight of a soldier who has been left with no limbs to move, or senses to use, or way to communicate with the world, and therefore no real reason to survive, but who also lacks the ability to end his life.

A distrust of being controlled and manipulated has also been a stable message of Metallica dating back at least to the Ride the Lightning album and the song "Escape." The song that was played at the Bridge School Benefit, though, is a clearer example. "The Unforgiven" is the story of an Everyman who, from soon after the time he is born, is controlled throughout his life. Although he vows "That never from this day / His will they'll take away," his only reaction to a life of being controlled is to label his controllers dub them unforgiven. HIs battle, though he fights it throughout his life, results in his complete lack of care and a regret-filled death. Those controlling the man are never named, but certain characteristics point to a "Brave New World" style State conditioning the individuality out of the man: "The young boy learns their rules," "This whipping boy done wrong," They dedicate their lives / To running all of his," and other lyrics, while not eliminating the possibility of other influences besides the State, seems to point to a system that aims to train and control people against their will to eradicate their own tendencies to better serve the state: "He tries to please them all."

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